Shafaq News- Erbil
Erbil’s gold market carries a quiet glow, where rows ofsmall shops showcase a long tradition of craftsmanship developed overgenerations. Inside one workshop, Yahya Arbili works carefully, shaping metalinto pieces defined by Arabic calligraphy.
Arbili is more than a traditional goldsmith; he blendsgoldsmithing and calligraphy to create handmade pieces that deliver a humantouch rather than machine precision.
Speaking to Shafaq News, he explained that each piece begins“from zero” using simple tools. “The first stage starts by writing therequested text by hand,” he continued, pointing out that the script depends onthe customer’s preferred style before being transferred onto a sheet of gold.
Precision remains essential throughout the process. Thefollowing stage involves piercing work with a manual saw, following the curvesof the letters cut from the gold. The work demands patience and calm andconcludes with polishing that completes the final shine.
Despite the spread of electronic devices and laser machinesin goldsmithing, Arbili relies entirely on manual work. He believes machinesdiminish the artistic value of the craft. “I do not use electronic devices,” hemaintains, adding that handmade work helps preserve authenticity.
This type of work appeals to a specific group rather than abroad market. Most of his clients are “intellectuals and people interested inthe arts,” who understand the value of handmade work and the beauty of Arabiccalligraphy.
Prices vary depending on the weight of the gold, with Arbiliestimating they usually charge “$200 or more” for manual work, with most piecesweighing between one and two mithqals, or 5 to 10 grams.
Arbili sustains his work from his small workshop in Erbil,preserving a traditional craft that merges material value with artisticexpression. For him, the true worth of gold lies not only in its price, but inthe skill, patience, and creativity used to shape it.
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